In other words, it booms and the instrument seems to have the strings hit rather than pulled.įor the cello, this treatment is beneficial to it and completes its fullness of body with a coloring of its fundamental notes boosting a vibrant and natural warmth, hiding the roughness of the texture grain of the bow sliding and projecting its presence even more forward as if the listener was two feet from the instrument. The double bass is affected in its technicality, the articulation of this bass line being felted, little textured and contracted in its resonance which forms a dense and weighted mass of air not extending linearly until 20hz, but rather exploding its amplitude of release of the strings. This bass shift can darken the definition of acoustic kick drum, or magnify its bulk, amplifying its dynamic physicality at the expense of its clarity of presence and clean separation. ![]() ![]() ![]() The bass is thick and heavy with impact, deliver a round slam and vibrant rumble, with fast sustain and also stocky, without intrusive resonance, it's tactile and striking as desired.Īs well, it's colored in warmth and the separation is not amplified in space (or dip) due to a syrupy transition in the low mids.
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